M. C. A. Hogarth ([info]haikujaguar) wrote,
@ 2008-07-24 13:55:00
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Current mood:relieved
Entry tags:art, process

Novel-length Art

thumbnail for a long-standing project


I woke up this morning working on a painting, with thoughts about color and visual orientation and which references I'd need... a real creative connective web that meant I'd been sleeping on it.

This is in itself not at all unusual.

What was unusual was that this particular painting has been in my head for at least half a year, and I still haven't figured out how I want to approach it. I don't even have a sketch for it, just two or three thumbnails and a lot of notes. But waking up with fragments of more of a plan for it has made me realize: I am using the same process for making this thing as I would for plotting a novel.

I just sank back into the bed and stared at nothing for a while in stupid shock, the kind of 'Doh, this should have been obvious' shock that always feels mildly embarrassing but also a relief.

For years now I've been posting my list of goals for the year, and that list is almost always 'write one novel, 12 short stories and paint 12 paintings.' Which means I've historically treated paintings the same way I have short fiction: as relatively quick to execute, something I could do once a month with time left over.

Sometimes, paintings are that simple. But lately I haven't been going for simple. I'm spending so much time juggling symbolic, thematic, narrative and visual elements that I need to drop it all into my subsconscious just to get something that makes sense back out. And that's really good because it means I'm working on things that are so hard I can't just blow them off.

But just like it takes me 3-12 months to write a novel, it's taking me months to work on any one of these paintings. Which means expecting myself to finish 12, or even six, or even three! of them a year is... um... I'd say "ambitious" but I'm thinking "unrealistic" is probably more accurate.

So I've decided to change my yearly goals. This year, and probably for the next few years, my goals will be:
• Finish one book, where book="writing project that is complete in itself and takes many months to create."
• Publish one book, where book="anything worth selling, whether that's a short story collection, novel, or coffee-table art book."
• Put down bones for book, where book="writing project."
• Finish one painting, where painting="something complicated enough to be a novel in art."
• Put down bones for another two paintings.
• Finish any poetry, short fiction or "short paintings" I feel compelled to do.

The "bones" of two paintings in this case will be a finished composite I can print and go directly to work on. That's a lot of the thought process right there.

A tremendous amount of stress evaporated from me when I finally understood that I'm treating my painting as a novel process, because I'd been ripping my hair out at how slowly I was working and not understanding why. Now, at least, I know.

Stardancer Home.


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[info]flutterbychild
2008-07-24 06:05 pm UTC (link)
So, in other words, paintings=stories?

That's an interesting way to think about it, and I wish I could sum up my creative process that well. I wonder if people get a similar impression from my work, that some paintings are 'short paintings' while others are essentially novels?

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[info]haikujaguar
2008-07-24 06:15 pm UTC (link)
I'm not sure! I wasn't thinking of it from the viewer perspective as much from the artistic process perspective. For me, what makes a painting a "novel" is how much creative overhead I need to figure out how to do it. For instance, the thumbnail I linked above is for a three... four? month-old thought that I haven't figured out yet, which involves:

Photo references of skulls.
Photo references of clockwork.
Art deco research.
Art nouveau research.
Dutch renaissance art research.
Collection of at least four sets of symbols (I've got two so far, not sure about the other two).
Figuring out chiaroscuro.
Figuring out how to flag heads when you're working with a limited palette.
Framing figures.
Posing figures for maximum narrative insinuation.
Trying to decide whether to include a third character or not....

And that's just the stuff I've identified. That's enough, though, that it's so much I can't do it all in a day or even a week. I'm mushing it up over months.

Now whether the viewer perceives that much investment is an interesting question!

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[info]flutterbychild
2008-07-24 06:23 pm UTC (link)
It is! I wonder...

My works tend to have more of an emotional/psychological overhead than anything...then there are some I set aside for months before they come together.

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[info]haikujaguar
2008-07-24 06:27 pm UTC (link)
See, that's very like how I write, and not much (historically) how I've drawn. Now the drawings are taking longer, not just in finished form, but as sketches!

I am musing about why this change came about, and will probably talk about that later along with other things the retrospective has made me realize about scene-settings and things that make you want to look at art for longer than a few seconds. :)

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[info]flutterbychild
2008-07-24 06:34 pm UTC (link)
Hmmm.

I rarely ever do advance sketches. I never have, and I'm not sure why.

I am curious to see what conclusions you draw!

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[info]haikujaguar
2008-07-24 06:38 pm UTC (link)
I look forward to talking them out with you and other folks... I want to hear what makes other people come back to a piece of art, if in fact they know. :)

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[info]dornbeast
2008-07-26 09:56 pm UTC (link)
creative overhead

I vaguely remember a story told by a science-fiction writer of taking several sheets of butcher paper, a heavy stack of reference books, his wife and a few friends, and several days of writing equations, all to produce a few paragraphs where the heroes were in orbit. It was a lot of work, but he knew that the scene would hold up against physics.

("But why didn't you just use a computer?"
"My dear boy, this was before computers.")

I don't know if the viewer consciously perceives the investment. But it may be the difference between "Meh," and "Wow." Or a lightning bug and a lightning bolt.

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[info]eseme
2008-07-24 06:33 pm UTC (link)
*aplauds*

Having an epiphany like that is a rare thing. Most of us don't reflect on ourseves often enough (I tend to reflect on ideas, the occational project, other people...).

And your thoughts make sense. Your sketches are definitely a lot more complicated now, and this evolution of your art sounds pretty natural.

I think we'd all can appreciate quality over quantity, and holding yourself to expectations that are unreasonable is not healthy for you.

I like this plan, and look forward to the published and posted results.

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[info]haikujaguar
2008-07-24 06:41 pm UTC (link)
I am completely certain that most of this realization is the result of talking with my art advisor the other week. We finally reconnected after a lapse in company and as usual he always makes me think... about everything we talk about. :) So I will blame him for this one.

I look forward to giving you more to contemplate! Your comments have already driven me to write down some new notes. -_-

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[info]eseme
2008-07-25 01:28 am UTC (link)
Oh good. I hope I'm not swamping you with comments.

Some nights I just want something fun to do while I chat with friends. You have so much art that it's very fun to just browse and see what strikes my interest.

I'll get through the whole archive someday...

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[info]haikujaguar
2008-07-25 01:29 am UTC (link)
Oh no! I read each faithfully behind the scenes. :)

*works to give you more than you can catch up on!*

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[info]arielstarshadow
2008-07-24 07:39 pm UTC (link)
OMG Rose Petals!

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[info]haikujaguar
2008-07-24 07:43 pm UTC (link)
Cripes, you have good eyes!

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[info]arielstarshadow
2008-07-24 07:48 pm UTC (link)
Sorry, I should have posted more about what you'd written, but...I just had to do that!

First, it's going to be gorgeous when it's done. Do we know the people in it already, or are they new?

Second, I have to smile at your epiphany because it's so apparent in your artwork, so yeah "DOH!" Everything just points to meticulous care and attention to detail and to a lot of contemplation about each piece, be it only a sketch, or be it something that ends up getting finished.

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[info]haikujaguar
2008-07-24 07:51 pm UTC (link)
Oh, no, you made me laugh, that was awesome. I thought of photoshopping the 'omg rose petals' out because not only was it silly but I thought no one would be able to read it anyway... I guess I was very wrong!

And... hmm. No, you don't know the people in it yet. I still don't have their faces down. It's a relatively new setting.... I'm still figuring out the details. :)


And yes, I know. It's so frequent that we're the last to know about something, isn't it?? But I am thinking about why I started making this change, and I figure I'll have more to say about that maybe tomorrow, after I let it percolate. :)

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[info]arielstarshadow
2008-07-24 08:12 pm UTC (link)
I like the feathers in his cap, too (assuming it's a "he" and assuming I'm not reading those as feathers when in fact they are part of whatever it is that's behind them [which has a nifty steampunk gear!!])

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[info]haikujaguar
2008-07-24 08:14 pm UTC (link)
It's hard to read, but those are horns on a mask made from a steer's skull. O_O

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[info]artfulruin
2008-07-24 08:29 pm UTC (link)
A tremendous amount of stress evaporated from me when I finally understood that I'm treating my painting as a novel process

Whew!!! I'm so glad. So glad.

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[info]haikujaguar
2008-07-24 08:50 pm UTC (link)
*hug* *shares drinking chocolate*

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[info]chlorophyta
2008-07-24 08:44 pm UTC (link)
Interesting! I sometimes have to let an illustration 'simmer' for several months (assuming it's not on a deadline!) before I can really get the best image out of it. It's neat to realize that planning a novel takes a similar path. =)

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[info]haikujaguar
2008-07-24 08:49 pm UTC (link)
Well, not all people's novel process works that way! But mine does, so... :)

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[info]captainq
2008-07-24 11:40 pm UTC (link)
You too?

Understanding something like this feels good when it happens to me, too, but I think what is more important is what I do after that...such a large source of stress is easily replaced, especially if I am used to being under that level of stress all the time.

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[info]haikujaguar
2008-07-25 01:30 am UTC (link)
Amazing what a shift in perspective can do for you. :)

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[info]asakiyume
2008-07-25 06:51 am UTC (link)
That's a really important realization. Your new goals sound much, much more realistic--it'll probably mean you reach more of them, which has got to feel good. It's cool to see in your answer to the first comment, all the research you do. Really cool.

A while ago I thought I wanted to illustrate all of "The Highwayman." I have a collection of pictures in iPhoto now of people riding on horseback, people in 18th-century clothes, people lying dead "like a dog on the highway," inns, french cocked hats, etc.--for the project. So I totally get the research angle :-)

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Wow!
[info]ysabetwordsmith
2008-07-25 03:50 pm UTC (link)
This is fascinating. It also makes sense, because 1) you're growing as an artist, and 2) your audience consistently loves pictures that "tell a story." Thanks for sharing.

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[info]wylde_writer
2008-07-25 05:20 pm UTC (link)
Congratulations on your insight. I've been hot on the trail of my own artistic epiphanies lately and I know how great it is to have a breakthrough like that. And thanks for talking about your process. That's great food for thought.

~Wylde~
Novelist

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