M. C. A. Hogarth ([info]haikujaguar) wrote,
@ 2007-05-03 23:55:00
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Entry tags:excerpts, the aphorisms of kherishdar, writing

The Aphorisms of Kherishdar: Pauser

PAUSER
M.C.A. Hogarth

pauser [ pow SEHR ], (verb) – to allow what must be, to be; to acquiesce without rancor, resentment or struggle. Often mistakenly translated by aliens with an implication of victimhood

      "Will you never go back to the Summer Tryst and find yourself another wife?" asked my great-aunt, head of our family.
      My daughter, my only daughter, was sitting in an oval of sunlight on the studio floor, combing the hair on her doll. She had inherited her mother's elegant curls and golden fur, soft and fine as a mist on her skin. I watched her self-possessed grace and turned back to my family's head. "I loved Sejzena."
      "And Sejzena loved you," Great-aunt said. "But she's been gone ten years now, and she gave you only this one child."
      I smiled. "She is enough."
      "She is treasure," Great-aunt said. "But surely you wonder why I've brought her to the city."
      I did... my family was irimked to a country family, a good family, rithked and thus above the Wall of Birth but fairly low in that heirarchy. We had served them for generations; I was one of the few who had left the country, following the demands of my ishas--my caste-rank spirit--to become a public servant artist. After Marul's birth we had split our time between home and the city, but once Sejzena died I sent Marul to the family. My solitary life was no way for a child to live.
      Great-aunt brought her to see the city every season's turn. It was now the middle of summer. I glanced at Marul and saw again that dignified manner. "You had her ishas evaluated."
      "I took her before our lord," my head of family said, "Who sent me to her lord. They are in agreement."
      I looked at her.
      "Her ishas is not irimkedi, but fathrikedi."
      I sat back. "A decoration."
      "Dancer, living statue, bed-warmer," Great-Aunt said. "Still in the Servant caste, but... not one of us. Our lord's lord thinks she will be an amazing sight once she is done being schooled and has offered to sponsor her. She will be a rank below us, but she will live in one of the finest Houses in the city, dress more richly than ever we could afford, want for nothing. It needs only your acquiescence and we will begin the preparations."
      Fathriked were true prizes to their masters, but they parted from their families to belong to them. They did not even keep their names. "We will not see her again," I whispered.
      "Rarely," Great-aunt said.
      I understood her remark then about the Summer Tryst. If I married again, I would have other children to comfort me and enrich the family.
      "You do acquiesce, yes?" the head of family said.
      It was not a formality--I could say no, particularly since this represented a downgrade in rank. But if her ishas truly was fathrikedi...
      "Yes," I said.
      "And you'll think about another wife."
      "I'll consider it," I said, and went to play with my daughter while she was still mine. Later, after they'd gone, I thought of the mist-sweet softness of her fur and wrote: There is no love greater than family.
      And perhaps I wept, a little... but only for myself.


| Marul at School * The Calligrapher and Marul * Marul and the Dolls |


Stardancer Home.


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[info]lady_ravenlocke
2007-05-04 04:11 am UTC (link)
Oh my...such a poignant piece. You had me in tears with this one, Darling.

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[info]siadea
2007-05-04 04:32 am UTC (link)
...I grieve, I think is the right word, with the Calligrapher. I mean. It's best for Marul, if it's her ishas, and so she will be totally fine, but he and his family are still losing her anyway in the most part. I had been going to ask what it felt like to have a child have an ishas her family would have preferred she not have for one reason for another, and it nonetheless aches with just that kind of realization.

I'm still rather interested in the decorations themselves: it must take a very specific personality type indeed to be one, and I have no idea what the insides of their minds are like. I've written a couple things with people just that dedicated to their vocations, but I think they don't have anywhere near the same sort of mentality about it. And... it seems as though they don't... mmm... like there aren't many guidelines in place to protect them, aside from the very refined, very Ai-Naidar horror at destroying beauty in any way. Like there aren't... mm... rules for when they may refuse something, or object or something like. I'm sure there are rules just like that, but they haven't come up thus far. There's something rather unsettling about it, like watching someone dance on a tightrope. You can't help but be afraid they're going to fall, even though you know they probably won't and even if they do, they're attached to a safety line.

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[info]haikujaguar
2007-05-04 02:08 pm UTC (link)
One of the interesting side effects of their rigid social order is that it's easier, in a way, for parents to let go of children to do what they're meant to do... something we don't do all that well. It's less worrisome to give your child to their future when society tells you they're going to want it and enjoy it.

As for the decorations... ah, but how you treat with them is of course dictated in the Book of Precedents. There are rules. But I know exactly what you mean about worrying about them. When I first saw them, I thought: "What potential for abuse! They're like pleasure slaves or something!"

Wow, did they disabuse me of that notion fast. O_O

But I will keep an eye out for more decorations, to see if I can't assuage your concerns!

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[info]manycolored
2007-05-04 04:46 am UTC (link)
My question about ishas is, when it is evaluated, what measures are in place to make sure that the evaluators and those who might influence them are not following their own biases or agendas?

For example, I do not know what my ishas is... but I do know that my parents and teachers chose the ishas of Scholar for me based on their unconscious wish fulfillment. I'm becoming ever more sure that that's just not it. Fortunately for me, I live in a culture where my ishas is so UNDERdetermined that I can change it... not without some shock to my close ones, I must say.

And what of when the calling of your heart and your early training just do not match up, so you are discovered as having the soul of some vocation that requires intensive development of skill... far too late to develop it to reach full potential?

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[info]haikujaguar
2007-05-04 02:06 pm UTC (link)
Wow, your question actually horrified them. One of the foremost duties of the nobility and regality is to place people where they will be happiest and most productive... what you describe would be like a judge deciding that he'll just convict all people who are accused of drunk driving because a drunk driver hit him one day. But worse!

As for the second, there's an incense story coming about mid-life career changes, as it were. :)

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[info]manycolored
2007-05-04 02:18 pm UTC (link)
I apologize for causing discomfort. It's a subject of no little unease for me! I have been increasingly sensitized to situations in which we become lost in the distortions of reality that come from trying to protect a particular self-concept, and project them outside ourselves - in doing so, propagating the misery of not seeing things as they really are. I will look forward to that coming incense story.

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[info]haikujaguar
2007-05-04 02:21 pm UTC (link)
Thirukedi (!) offers you this thought for consideration: If you discovered something that you loved doing, that you did well, that doing satisfied you in all particulars and made you feel useful and confident as well as kept you fed, housed and paid... would you ever want to do anything different?

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[info]manycolored
2007-05-04 02:29 pm UTC (link)
I would unhesitatingly immerse myself in it and count myself the happiest person alive!

Now what is that thing? I feel it calling...

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[info]haikujaguar
2007-05-04 03:02 pm UTC (link)
I think one of the reasons we have such trouble finding it in this life is that we think of it in terms of career/job. For instance, I asked the Calligrapher, "If you lost the use of your hands, what would you do?"

And he just looked at me strangely and said, "I would become a priest, or a teacher, or aid the physician (all jobs within the same caste)."

I had mistaken his job (calligraphy) for his calling (public service). Because I understand wanting to do a specific task, like drawing, but I didn't grok that it's not about what you do, but why you do it and the need it fulfills in you. And that is much harder for us to pinpoint, because we don't emphasize it.

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[info]manycolored
2007-05-04 03:32 pm UTC (link)
So my calling is public service, clear as day. But what is my job? I see patterns and potentials, and I want to show them to people. This is in terms of making them healthier, happier, giving them a way to live more in harmony with themselves, their people, their surroundings.

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[info]_eljefe_
2007-05-07 03:50 pm UTC (link)
Actually, yes. *hums ain't gonna study war no more*

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[info]grntserendipity
2007-05-04 05:21 am UTC (link)
Poignant--I could actually see this exchange. This story is wonderful.

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[info]thedigitalkuri
2007-05-04 06:38 am UTC (link)
Ah, so we get to visit with the beautiful doll-child.

I am .. very touched by the way that the Calligrapher loves her. I'm very humbled and interested by the way that their culture respects their innate wishes and directions.

A lot of these stories give me very rib-cage based reactions. A flutter of pleasure, a little twist of regret. And always, a pleasure at having read.

Thank you. :)

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[info]gryphart
2007-05-04 08:46 am UTC (link)
And that neatly answers how they are assigned a caste - interesting. Though I would wonder - do any older Ai-Naidari change from one role to another? I assume some must, if their psyches change as much as ours do when we age.

I'd also be curious whether they have non-public servant artists, or whether the thought of art for the self alone is not something that they have.

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[info]haikujaguar
2007-05-04 02:04 pm UTC (link)
I have an incense story about the first question, so I'll post that one soon. :)

As to the second, there was a part of ISHAS where the Calligrapher says: "Anyone can be an artist. Ai-Naidar frequently go through the training merely for the edification. But to be a public servant artist... that requires more."

All the arts are encouraged and taught formally and informally to those who are interested; it's a rare Ai-Naidari who doesn't have some form of hobby. The particular distinction they make that we don't is the concept of art as a public service versus art as a personal expression. Art is mostly seen as personal expression, pleasure for the self. It's art as a specific gift to everyone that is unusual!

This is interesting because it's backwards from my own view, which takes art very seriously. Curious people, Ai-Naidar. :)

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[info]archangelbeth
2007-05-04 11:55 am UTC (link)
Awwwww.

*ack, must run take mine to school*

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[info]archangelbeth
2007-05-05 03:22 am UTC (link)
A question: what happens when a decoration becomes old? Or if accident renders one, well, un-lovely?

Are there people whose ishas is to be a decoration, but they have been born into a crippled body? Or does it not work that way?

Or is this the difference between calling and the details of the calling?

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[info]shadesong
2007-05-04 12:31 pm UTC (link)
Oh, no.

Arii, I cried...

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[info]haikujaguar
2007-05-04 02:23 pm UTC (link)
I know. :/

I am trying to find out if he does take another wife and have more children. I suspect this is something for Shame to discover.

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[info]newroticgirl
2007-05-04 03:19 pm UTC (link)
With every one of these I read, I am again amazed that it didn't sell. These are amazing and lovely and so full, despite being so short.

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[info]puffbird
2007-05-04 03:28 pm UTC (link)
This one made me tear up, too... I want to go home and hug my children now.

The aphorism here is at once apt and horrifying.... I can't imagine relinquishing my children in this manner, but at the same time, to know they are going to a profession that suits them perfectly and will make them happy, and they will be taken care of... part of me wants that for my children, too. o_o

These stories that make me think about my own society, and see its flaws... but also see its benefits... these are excellent. Thank you for sharing them.

I second some of the questions above about changes of profession... and I'm glad to see there is a coming incense story that addresses it.

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[info]tonithegreat
2007-05-04 04:59 pm UTC (link)
Oy. When the Calligrapher thinks, "But if her ishas truly was fathrikedi..." it is chilling to me. What if it isn't? What if they're wrong? Then she'll give up her family and be lost!

The calligrapher's faith scares me. I often have the same reaction to people's faith in religious ideals that are very diffferent from my own. But this is faith in his society. I don't think we have very many human societies that people feel that kind of faith towards these days. Very interesting.

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[info]miintikwa
2007-05-04 05:11 pm UTC (link)
It is beautiful, and poignant, and it made me cry.

*hug*

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[info]tuftears
2007-05-04 05:47 pm UTC (link)
This is a lovely one! Tragic!

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[info]dnellin
2007-05-04 08:06 pm UTC (link)
This one I can truly relate to. If you love someone, let them go with an open hand and an open heart so they can do the things that satisfy them most. I think it's worked pretty well.

Beautiful story...and a deep understanding of love and tragedy..and hope.

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[info]floorlamps
2007-05-06 04:02 pm UTC (link)
It took me some time to assimilate this one... it was very difficult, and I had to step away for a while.

But what I've primarily taken away from it, outside the reflections on how different this society is from ours, is a renewed appreciation for how brave my own parents are. They don't face the kind of choice the Calligrapher does, but even so the fact that they've never once pressured me into following any career path takes, I now realize, more courage than I'd previously thought.

Thank you for that reflection.

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[info]razzek
2007-05-16 02:29 am UTC (link)
Oh...goodness, that's a tear-jerker. Poor Calligrapher. It's wonderful that Marul's life will be good, but it doesn't make her separation from her family any less wrenching.

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[info]minor_architect
2008-02-03 11:45 pm UTC (link)
I know I'm coming very late into the game here (hey, I only finished reading the Aphorisms last week, so sue me), but I wanted to know how the Summer Tryst works, as opposed to the Winter one? If the Summer Tryst is all about finding a spouse, then how is anyone supposed to accomplish this with masks and anonymity? I have the feeling I'm missing a great deal here, which is why I come to you for an explanation. Color me confused!

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[info]haikujaguar
2008-02-04 02:54 am UTC (link)
There are no masks in the Summer Trysts, nor costumes. It's caste-specific; everyone in the area within that caste meets in a specific place to have appropriate dances and to introduce themselves and their families to one another, check out the marriageable material, meet the newest children, etc. It's very different from the Winter Tryst. :)

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[info]minor_architect
2008-02-04 03:52 pm UTC (link)
That certainly answers my question! Thank you. :-)

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[info]ichthyus
2008-02-22 05:50 pm UTC (link)
I understand, I relate! Pauser is a concept I have only recently come to... & that too, only of love... & yes, it is NOT victimhood, though it appears as such... to me pauser is one of the few signs of true love...

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[info]ichthyus
2008-02-22 05:52 pm UTC (link)
Also, I realise that the calligrapher is male now, but I visualized him as being female before.. Mayhaps tis because he willingly accepts & displays so many of the qualities, traits & emotions that our society dismisses as being "female" & "weak"... yes? perhaps?

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[info]haikujaguar
2008-02-22 06:49 pm UTC (link)
You are not the first person to observe that! It's interesting, isn't it, that we perceive these things as essentially feminine?

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(Anonymous)
2008-02-22 07:32 pm UTC (link)
yes... I think it's the grace & beauty the surround the calligrapher: his ability to recognize it & also impart it.. yes, his pauser too... his intuition (in Nesthae)... his awareness... I do tend to percieve these as "feminine" traits...

I have been conditioned far too thoroughly by society...

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[info]haikujaguar
2008-02-22 06:57 pm UTC (link)
Hmm. Here's an interesting thought. When I read the Bhagavad Gita, the concept of "pauser" or something similar to it showed up as a theme, that sense of detachment and serenity. In India, did you find it less a "female" quality to be serene in that way because of that philosophy?

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[info]ichthyus
2008-02-22 07:30 pm UTC (link)
well, I see a very warped version of pauser a lot in Indian women - a sense of resignation & learned helplessness... impotence... acceptance because there is no other way...

However, I see the quality of pauser in the doctrine of my faith (I follow Christ) - one of the beliefs is voluntary slavery - giving up wealth to help the poor, not because one has to, but because one chooses to... I think the underlying difference between pauser & impotent resignations is love & hope... there is none in learned helplessness...

Indian men rarely have to choose pauser because they are almost always given their way... however, it's crippling in that when faced witha true obstacle, a lot of them will react very irrationally & destructively as they're not used to experiencing it... so, yes, I do percieve it to be more of a female trait....

Just my thoughts...

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